Super Bowl shuffle: Stadiums of the future will feature interactive and civic spaces

Now that Peyton Manning and the Denver Broncos have won Super Bowl 50 in Levi’s Stadium, we wanted to take a moment to consider what the stadium that hosts Super Bowl 100 might look like.  

To say that the differences between Sunday’s Super Bowl and the first Super Bowl played 49 years ago were dramatic is clearly understated.

The 200-foot-by-48-foot 13HD LED video board high above the action was a stark contrast to Super Bowl I’s electronic scoreboard at the Los Angeles Coliseum. The halftime show featuring Coldplay, Beyoncé and Bruno Mars obviously had a ridiculously higher production value than trumpeter Al Hirt performing with marching bands from the University of Arizona and Grambling College. And Sunday’s four-hour game was so much longer than the first Super Bowl thanks to countless commercial breaks and instant replays. 

Otherwise, most fans at Levi’s Stadium in Santa Clara, Calif. essentially observed the “Big Game” the same way their parents and grandparents might have in 1967: from a static seat.

But that paradigm between a seated spectator and the playing field is shifting. And that shift will only become more dramatic during the course of the next 50 Super Bowls as new innovations begin to challenge the way we spectate sports. So in the afterglow of historic Super Bowl 50, we are exploring what the “fan experience” might look like in the stadiums of the future. Continue Reading ›

Lowering the ceiling to raise the roof


An artist’s rendering of the Golden State Warriors’ new arena in San Francisco. Rendering courtesy of MANICA Architecture.

As the NBA Finals come to a close this week with Golden State potentially winning its first title since 1975, we were impressed by Steph Curry and the Warriors once again blowing the lid off the infamously noisy, but dated, Oracle Arena in Oakland on Sunday night. We are equally impressed by the architects and engineers recreating that rock-concert atmosphere in Golden State’s gleaming new arena set to break ground in San Francisco this January.

With its low-slung ceilings and sound-reverberant concrete surfaces, Oracle is known to reach 120 decibels — that’s as loud as a jet engine!

An artist's rendering of a new park that would be planted at the foot of the Golden State Warriors new arena in San Francisco. Courtesy of MANICA Architecture.

An artist’s rendering of a new park that would be planted at the foot of the Golden State Warriors’ new arena in San Francisco. Rendering courtesy of MANICA Architecture.

New arenas often disappoint fans yearning for the old-school flavor of their former ballparks, especially when it comes to the noise factor since sound loses steam the further it travels through air. So harnessing that energy inside a sleek modern arena that lacks concrete and is designed to be more open is a tall task that falls to the Machete Group and MANICA Architecture, whose owner, David Manica, worked on O2 Arena and the new Wembley Stadium in London as well as Beijing’s Olympic Stadium.

Two major ways architects are recreating Oracle’s fan experience from an acoustic standpoint are by limiting the new arena to 18,000 seats and by featuring only one level of suites in an effort to keep the ceiling low and the sound off the charts.

“We are working with world-renowned acousticians, and state-of-the-art acoustic simulators, to ensure that the new arena is just as loud and exciting as Oracle is,” Manica told us.

Game 6 of the NBA Finals is at 9 p.m. EST on Tuesday night on ABC. For more on the Oracle and the Warriors’ new arena check out Sports Illustrated. For more on the science of sound in stadiums click here.